

After finding out his girlfriend is the daughter of Sir James Burgess, an evil industrialist, he is appointed Burgess' personal assistant. In parallel with Travis's experiences, the film shows 1960s Britain retreating from its imperial past, but managing to retain some influence in the world by means of corrupt dealings with foreign dictators. He progresses from coffee salesman (working for Imperial Coffee in the North East of England and Scotland) to a victim of torture in a government installation and a medical research subject, under the supervision of Dr.

Initially Travis is motivated by money and material wealth.

The scene blacks out, the word NOW appears onscreen and expands quickly to fill it.ĭuring his journey, Travis learns the lesson, reinforced by numerous songs in the soundtrack by Alan Price, that he must abandon his principles in order to succeed, but unlike the other characters he meets he must retain a detached idealism that will allow him to distance himself from the evils of the world. The machete rises, falls, and we see McDowell draw back in a silent scream. He is next seen before a fat Caucasian magistrate who slobbers as he removes his cigar only to say "Guilty." The foreman draws his machete and lays it across the unfortunate labourer's wrists, bound to a wooden block, revealing that he is to lose his hands for the theft of a few beans. One worker (McDowell with black hair and moustache) pockets a few beans ("Coffee for the Breakfast Table") but is seen by a foreman. Grainy, black-and-white, and silent, a title "Once Upon a Time" leads to peasant labourers in an unnamed country picking coffee beans while armed foremen push rudely between them. The film opens with a short fragment outside the plot. The film was entered into the 1973 Cannes Film Festival. O Lucky Man! is a 1973 British comedy-drama fantasy film directed by Lindsay Anderson, and starring Malcolm McDowell as Mick Travis, whom McDowell had first played as a disaffected public schoolboy in his first film performance in Anderson's film if.
